Jason Evans I first saw this as part of the Whitney's exhibit ‘Foreclosed: Between Crisis and Possibility’. Kamal Aljafari's film focuses on the daily behaviors of a family living under the constant threat of displacement. A feeling deepened by the film's use of sound, which permeates with the incessant noise of buildings being demolished. As with Burnett’s ‘Killer of Sheep’ this is a film steeped in day-to-day life, though stylistically more attuned to the minimalist camerawork and subtle gestures of Bresson. A woman washes her hands, later she carefully cuts red roses; people sit on a couch and talk; a cat naps lazily on the TV; an elderly parent is cared for - as Aljafari quietly traces the streets of the once thriving Palestinian port city of Jaffa.

SPRING/SUMMER What we love about this project is how calm and considered the entire experience feels. Luke Hoban and 1/1 STUDIO create an e-commerce experience where every detail, from motion to typography to photography, feels intentional without trying too hard. It’s minimal, tactile, and full of atmosphere.