Kristoffer Alexander Holtermann Chavarria turned a combat sports venue in Paris into a New York intersection. Lowriders rolled in. Live musicians performed between acts. Models crossed the runway like people crossing a street. The collection arrived last, after the world had already been built around it. That’s the sequence I believe in: world first, clothes second. Eterno was the most convincing argument I’ve seen recently that a fashion show can be a genuine cultural event rather than a presentation.

Eleni Petaloti What I love about Neelam Cinema is the collision between civic modernism and popular culture. The interiors carry Corbusier’s unmistakable formal rigor, yet they were designed for collective entertainment and spectacle. There’s a rawness and honesty to the material palette that feels incredibly relevant today.