Curated Inspiration
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Interior design

Arquitectura G

Flos - Amsterdam

Curated by Muller Van Severen
  • ArchitectArquitectura G

Muller Van Severen What makes this project particularly compelling is how its scenographic arrangement transforms the showroom into something closer to an art installation than a traditional retail space. The result is an almost cinematic experience for the visitor - achieved through a relatively simple intervention with a monumental impact. This approach resonates strongly with me, both in the work of Arquitectura and in Sam’s practice.

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A Landscape of Light

In Amsterdam, a new showroom for FLOS unfolds as an unexpected interior landscape, quietly positioned above an industrial waterfront. Designed by Arquitectura G in collaboration with Sam Chermayeff Office, the project rethinks what a showroom can be, transforming it into a spatial dialogue between surface and illumination.

Rather than presenting light as a product alone, the space treats it as a condition. The architecture is composed as a sequence of planes that receive, reflect, and shape light, allowing each fixture to interact with its surroundings. Moving through the showroom feels less like browsing and more like inhabiting a shifting environment, where brightness, shadow, and reflection constantly redefine perception.

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Domesticity Meets Workspace

The interior resists traditional boundaries. It operates simultaneously as living room, office, kitchen, and meeting place, merging domestic intimacy with professional functionality. At its center, a long table anchors the space, serving multiple roles and encouraging both work and gathering. Around it, subtle variations in light and enclosure organize the plan into zones without rigid separation.

This fluid arrangement reflects a broader ambition to dissolve distinctions between living and working. The showroom becomes not only a place to display objects, but also a place to experience how light participates in everyday life. It invites visitors to imagine lighting not as an addition, but as something embedded in the rhythms of inhabitation.

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Material as Gesture

The most striking element is the construction itself. The entire interior is formed from thin steel plates, carefully welded and left to bend under their own weight. What appears delicate is in fact structurally precise, creating an environment that feels both solid and almost provisional, like a model scaled up to inhabitable size.

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The satin white surfaces act as a neutral yet responsive canvas, amplifying the presence of light while maintaining a quiet material consistency. Planes lean, fold, and intersect, generating a sense of tension and balance that gives the showroom its distinct character.

In this project, architecture does not compete with the objects it contains. Instead, it amplifies them. The result is a space where light is not only displayed, but experienced as an active force, shaping atmosphere, movement, and perception in equal measure.

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